
Showing posts with label pfw. Show all posts
Showing posts with label pfw. Show all posts
10.03.2013
SS14 | Paris Round-Up

6.30.2013
MENSWEAR SS14 | Paris Round-up
I think it's safe to say that Paris is blessed with the best menswear lineup. So as I dragged looks upon looks onto my desktop in hope of blogging them and having two separate posts of a total of 10 PFW favorites, it occurred to me that my timing would be a little off. I try to be punctual with my runway posts because they are such time-based things and I don't want you guys to be getting old (/stale/irrelevant) news. Therefore, I took it upon myself to exercise my judgment and editing skills--although, try as I might, refining my top favorites was extremely difficult. But here they are, a total of 6 of my favorite collections from Paris menswear.
HAIDER ACKERMANN
KRIS VAN ASSCHE
If you've been reading my mini reviews for the last month or so, you'll probably see the common denominator of my love for clean cuts. Especially when paired with boxy sleeves and done in solid hues of darks, brights, and whites, sharply tailored pieces make me ache for a no-fuss man's wardrobe stocked full of KvA. I love the highlight of the zipper details throughout, as well as the color choice--really loving the forest green and cerise (I just looked up this color, it's stunning).
3.08.2013
FASHION WEEK FINALE - Paris
JEAN-CHARLES DE CASTELBAJAC
This label is the best when it comes to kitschy subtleties, especially the prints and patterns. The span of graphic motifs throughout this collection was incredible, from the blown-up cable knit cocoon minidress and the screw and safety pin print of the pantsuit to the pre-raphaelite Ophelia (yay for art history references!) in Millais' brilliant brushstrokes. Also, that fox head bodice!
MIU MIU
After being sadly disappointed by Prada, my fading interest with Miuccia's work was reinvigorated with the arrival of Miu Miu. The classic utilitarian jacket was given a stylish twist and presented in off-the-shoulder hot oranges and navies with large zippers and belted to perfection. The enlargened lapel folding off of the shoulders of the coats was an eye-catching detail along with other aspects such as the dotted neck scarfs and lustrous footwear. Interestingly enough, the more I examine this collection, the more I like it. Bravo.
3.07.2013
PFW | FW13 part V
DION LEE
Lee has been one of my favorite designers to watch ever since Tommy Tom profiled one of his incredible collections at Australia fashion week a while ago. With a penchant for sharp, angular constructions and insanely cool graphic prints (note--those atmosphere storm pics!), Lee still manages to bring something fresh and eye-catching to the table each season. Something about the cut of his pieces is just so refreshing and aesthetically pleasing.
GIAMBATTISTA VALLI
I will admit that I found little to no cohesion throughout this collection, but that I loved some of the looks individually. The array of grecian drapery and furry patch looks in muted pastels caught my attention, but it was the vibrant vermillion look that kept me clicking. A floral pantsuit and intricately beaded neckline don't hurt either.
CHLOE
I was intrigued by the effortless mood that Keller created in this fall collection (almost had a spring-y feel to it!). From the airy swiss-dots in paneled blouses and tutu-skirts to the amazing chain-link fence dress (still swooning), the pieces spoke to the Chloe heritage but maintained an air of updated modernity.
PACO RABANNE
I think we all know Paco Rabanne for his chain-mail dresses. It was great seeing a fresh reinvention of such a unique piece in different ways, seeing that it became a collared shirtdress and jumpsuit (or so I see?). Also, that intricately pleated silver skirt is everything.
3.01.2013
PFW | FW13 Part II
CARVEN
Excellently tailored outerwear pieces are truly Henry's strong point. From cotton candy pinks and powder blues to light camels, the layered looks had me wanting a head-to-toe monochrome look myself. I was very pleased with this collection, albeit confused by the zebra-esque motif on a few of the pieces. Give me flouting lapels and oversized volume or give me fashion death.
BALENCIAGA
The man of the hour pulled it off! Did you know that Alexander Wang only began working on this debut collection for the iconic Parisian fashion house at the BEGINNING OF LAST MONTH ? The thought of this being pulled together in a matter of weeks (despite an inconceivable amount of thought and planning, naturally) is truly astonishing.The palette of black, white, and grays was expected for safety, but he rather succesfully executed very well-cut pieces that meshed his own skills with historic Balenciaga silhouettes and volumes. Also, let's discuss the amazing crackling and marbling on the gorgeous dipped hem coats and pullovers. Who's ready for his next collection?
BALMAIN
Rousteing took us back to the '80s, and at first I did not appreciate it. Fortunately, aside from the severity of the power shoulders and attention to volume, I enjoyed the spectacular jewel tones and splendor of the gem/jewel-like effect of the metallic garments. I was able to appreciate the pieces most when considering them separate from the rest of the look; I would definitely wear the blue mini on Liu Wen.
LANVIN
HELP! HOT! COOL! YOU! LOVE! The loudness of the cheeky neckwear pieces were mollified by their pairings with Elbaz' signature Lanvin cuts. The organic floral details (love the 3-D detailing!) and the texture of the frocks all throughout had me in love. It was a new tale of romance for the house of Lanvin.2.28.2013
PFW | FW13 Part I
CEDRIC CHARLIER
Charlier did embellishments right this season, with sprigs of floral details and whispery veils of beading sprayed over piece after piece. These airy overlays were incorporated into beautiful textured frocks and in the dainty sheer patches on the last two blouses. Charlier pulled off a very delicate yet grounded collection with a great balance between dainty creams and strong blacks.
GARETH PUGH
A bare-bones wintry austerity was present in Pugh's latest collection, where straight lines and angular volume reigned supreme. The origami-like folds of the necklines and skirt details paired with the all-around impeccable construction of the garments was fantastic, while we were given a surprise by the sparsest notion of a graphic detail in the frail, naked branches that decorated the hems of some pieces.
GUY LAROCHE
The combination of leather and any furry texture is hard to pull off, but this collection did it well. This could partially be attributed to the fact that there were such few looks that had both elements, but also because they were just very well done. If you read my posts you will also know that I have an affinity for all things motorcycle so the fuschia vest of the second look falls under that category. That vibrant head-to-knee purple also caught my attention, as did the great navy cape of the last look.
MUGLER
Nicola Formichetti continues to stun me with the things he produces for the house of Mugler season after season. Although we did see some simpler garments with rather minimalistic undertones, he still kept those futuristic details and silhouettes that I've come to associate him with at Mugler. The splash of a furry/hairy patch of orange across a muted gray top (with ends trailing behind), the paper-like bonnet, and the 3-D cutout motifs in the fourth and fifth looks-so cool.
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